The installation combines three visual forms: a painting, a projection of graphic animation, and a video sequence. The central object is a painting of an unusual shape, set in a non-standard frame — a representation of a fragment of memory.

On its abstract background, portraits based on photographs of deceased relatives are depicted. Photography becomes a visual code, a screenshot of memory, while the abstract composition, transformed into graphic animation, serves as a reflection on the themes of life and death.

This work explores the historical transformation of imagery — from icon to painting, painting to photograph, and photograph to video. By uniting these visual forms of memory, the installation creates a meditative space for contemplating the nature of time: its movement and transience, as well as its stillness and permanence.